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Like the rest of this
website, this section on Tongues is in progress. To contact
Tongues email them at tonguesmag@yahoo.com
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Tongues
Magazine Issue Four 2004
From the
editors... Stacy Macias for Tongues
As we
hurl this fourth issue into print just in time for our upcoming
release party, it's a good moment to reflect on our vision as
Tongues while placing this issue into a politically and culturally
relevant context that considers this contemporary historical
moment.
Gloria
Anzaldua, one of our most beloved Chicana tejana lesbian feminist
scholarly activists wrote in her pre-eminent text Borderlands/La
Frontera that homophobia - the irrational fear of LGBT people
- is actually about "the fear of going home," "and
if going home is denied me, then I will have to stand and claim
my space, making a new culture..." Sadly, we invlke these
powerful words not only as a testament of our dedication to
"go home" and "claim space" here in these
pages of our long awaited fourth issue, but also in memory and
veneration of Anzaldua, who passed away on May 15, 2004 from
complications related to diabetes.
I can
fondly recall the process of choosing a name for this magazine,
webzine, and organization, and just how influential Anzaldua
was in our formation. "How about 'Las Locas!'" "No,
no, no I got it! 'Torti-Dykes!'" In the end, we chose "Tongues,"
a variation on a chapter from Borderlands/La Frontera titled
"How to Tame a Wild Tongue" where Anzaldua discusses
the silencing practices and the enforcement of English only
as a form of linguistic terrorism, forms of violence that leaves
us wounded and invisible. By choosing our name, we came to meditate
on "Tongues" as the symbol of our rhythmic instrument
that communicates our realities and unleashes our desires; gives
voice to the traditionally silent and epitomizes our sensuality;
and mobilizes our communities and makes and shares erotic pleasure.
As a co-editor
of This Bridge Called My Back: Writings By Radical Women of
Color, Anzaldua changed the way we think about our idenitities
as queer women of color, both situating and validating our personal
and political struggles with our sexuality, ethnicity, language,
class, and family. She also offered us hope by helping us to
understand and face our fears of "going home" while
theorizing the resisting and surviving mechanisms that we develop.
Unltimately, she gave us back our "tongues."
Anzaldua
not only played a critical role in catalyzing our effort, but
her intensely personal writings have influenced so many other
efforts toward ending the subordination of the most marginalized
members of our society like US third world women, queer people
of color, and immigrant populations. Her untimely passing at
the age of sixty-one reminds us of the legacy of struggle and
resistance from which we come and provides a proactive challenge
to continue engaging in strategies, debated, and acts of resistance
so that all of us may have access to spaces where we may feel
whole and complete as much in our political and cultural producations
as in our enactments of love and desire.
Through
my experience in Tongues, I feel fortunate to have been able
to make and go to my own home, or safe space, by creating and
becoming part of a group of self-identified queer women of color
who are unapologetic about who they are. To new readers, we
hope Tongues Magazine will be one of those community safe spaces
integrated into your everyday life as a site of resistance and
survival that you can claim as your "home" as well.
To our continued readership, we know you recognize the unique
nature of this space and thank you for your commitment - you
are its lifeline and source of survival. To everyone, please
(re)visit Gloria Azaldua's resonant words and light that candle
in her honor. We will miss you deeply, Gloria.
While
the tone of this issue appears a bit somber with themes related
to rituals of loss and healing, cycles of change, and a reality
check that lesbians do get HIV/AIDS, we have also aimed to strike
a balance with a few more light-hearted, whimsical pieces that
remind us to laugh and sing because the sun arises, even when
it's out of our immediate sight. Happy Reading from all of us
at Tongues!
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Tongues
Magazine Issue Three 2003
Editorial.
Stacy Macias for Tongues
Welcome
to the third edition of Tongues Magazine! We are thrilled
to offer you another edition of a magazine envisioned, produced,
and suffused by Queer womyn of color. We continue this effort
in the tradition of our past two issues: telling and sharing
the critical, intimate and creative stories of Queer womyn
of color extending from Los Angeles and beyond.
As in
our previous issues, we also employ Tongues Magazine as a
tool of complication to 'trip up' conventional understandings
of society and events. As the main U.S. power structure justifies,
through anti-democratic means, the initiation of war, we are
compelled to use this space as a declaration of our commitment
to advocating peace and justice where people are placed above
politics.
The
declaration of our stance, however, is not enough. What is
your stance? What is your action that speaks to that stance?
When each person individually makes an effort to express an
opinion in public, write a senator, or talk with a conservative
family member, she becomes a powerful ingredient to exposing
and undermining the profit-driven motives of this country's
few elite and powerful. And, when the collective manisfestations
of our resistance are experienced, our power becomes transformative.
Beyond
a magazine, we are an orgaznition; beyond an organization,
we are part of a community of Queer womyn of color attempting
to make a difference. As unoriginal a that may sound, instigating
change is our primary purpose. We believe change, or transformation,
happens internallly and externallly on different scales. We
chanllenge you to find your internal scale: heart, head, or
spirit, for instance, and your external scale: self, home,
or neighborhood, from which you are ready to work or continue
to create change. This alone is a radical act of change; one
in which we hope you will engage and then share with us in
an upcoming edition!
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Tongues
Magazine Issue Two 2002
From
the editors... Stacy Macias for Tongues
This issue brings another exciting herstorical moment as we
move across genres and subjects to provide you all with the
second issue of Tongues Magazine: "Lesbian Activism from
Latina America to Los Angeles." As in our last issue,
our goal is to engage your mind, body, spirit and heart on
the surface level of reading and enjoying the magazine to
taking that knowledge and insight on a deeper level to transform
it into action, activity and activism! Dont let the
stunning art or evocative poetry and prose immobilize you-there
is a lesson to share, a story to retell, information to learn,
and wisdom to gain from each page, passage and creation.
This issue is a testament to the idea that there is no singular
formula or definition of "activism;" we are all
activists when we take steps to live healthy, be critical
of our choices, emancipate our imaginations and then share
what we newly know. The theme of this issue demonstrates the
vitality of the activism we currently are doing across our
varied communities and calls for a critical reflection of
the collaborative work we still need to do. Whether as stakeholders
in the educational system or purveyors of artistic expressions,
the contributors represent the visibility and urgency of our
struggles and the need to proactively engage each other to
learn and become involved in the world around us.
At Tongues, our continued need to articulate the injustices
and marginalization practices in our society, in our cities,
and in our own communities also reminds us that we must share
the successes of our creative energies, rebellious spirits
and strategic intellects. In a constantly shifting environment,
we remain dedicated to mobilizing communities to action, creating
spaces to provide and support our intellectual and spiritual
transformations and challenging society to see us-Queer womyn
of color-in our different ages, shapes, genders and interests.
If you do not see yourself represented here, we invite you
to make an inquiry or submission by emailing us at tonguesmag@yahoo.com.
Everyone has her own storyplease do share yours!
Tongues
Magazine Issue Two 2002 Contributors:
Gina
Aparicio was born and raised in the urban working class jungles
of Los Angeles. A CSUN Chicana/o Studies student. As a Political
Activist turning Artist, she states, I began creating
"art" in order to give voice to some of the social
and political issues of our community while simultaneously
spreading cultura.
Cathy Arellano is a San Francisco-born, Mission District-raised
writer. Her poems were published in the most recent issues
of San Francisco State Universitys journals Fourteen
Hills and Cipactli, as well as in ALLGOs Newsletter.
She has taught creative writing to young people for four years.
Brenda
Chavez is a writer at heart, and a Columbia Law student by
day.
Lucila Chavez Castorena is a bisexual Chicana, Loteria loving,
pozole addict from Boyle Heights. She recently graduated from
UCLA in History and Chicana/o Studies and is looking forward
to teaching in the near future.
Tatiana
De La Tierra is a colombiana girl who became a writer &
librarian & wild woman.
Mia
Dominguez is a proud Chicana feminist lesbian residing in
the San Fernando Valley. She has a piece of erotica entitled,
"Who's that Girl?" published in Alyson Publications
"Skin Deep", and has also had work published in
"Philogyny Magazine". She is currently working on
several projects which she prays will get to see the light
of day. She can be contacted at msmiad@hotmail.com.
Raquel
Gutierrez is an L.A.-based Salvi punk ass mestiza who straddles
live active cultures. She lives to write, perform and spin
alternative beats.
Ana
M. Lara is a mulatina pata poeta. She currently migrates on
a yearly basis and will be landing in L.A. next Fall, downwind
from San Pancho. Spanglish is her native tongue.
Eileen
Ma is a Chinese-American daughter of a chef and a story-telling
nurse, a cat-lover and is currently in transition between
worlds, and California and New York. She has worked as an
organizer both in unions and non-profit organizations for
many years.
Xochitl
Marquez is a UCLA graduate and community activist. She is
a delicious super high femme.
Brianna
Mestas is a Queer Xicana from a distant and enchanting land
called Mead, Colorado. Now attending CU Boulder, she is attempting
to make a Queer space and presence for herself and all the
closeted Mechistas- I know about you.
Claudia
Rodríguez is a 26 year old writer/activist/jota straight
outta Compton. She is a recent California Institute
of the Arts MFA in creative writing graduate and recipient
of an Emerging Lesbian Writer award from the Astraea Foundation.
Anna
Lilia Salinas was born and raised in Alice, South Texas. She
received a Bachelor of Fine Arts degree in 1986, and an M.S.
in bilingual education in 1992. She lives is Austin, exhibits
extensively, has worked as a school teacher, and is currently
a restauranteur.
Lizette
Sanchez is a Cali-Rican living happily by the Pacific Ocean.
Susy
J. Zepeda is a Queer Chicana Revolucionaria. She will be starting
her third year of teaching with LAUSD. She plans to attend
grad school and continue her research on marginalized communidades.
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Tongues
Magazine Issue One 2001
From
the editors... by Stacy Macias for Tongues
Welcome/Bienvenidos to the premiere issue of the print version
of Tongues. We are extremely thrilled and proud to present
to you a labor of love that we hope will revolutionize Queer
Women of Color print media by creating a space/magazine that
is the first of its kind.
In the design of a magazine intended to address and appeal
to Queer Women of Color communities, we asked ourselves two
key questions: what constitutes "Queer Women of Color"
as an identity marker and what are Queer Women of Color issues?
The effort to produce a magazine that is truly representative
of Queer Women of Color is a perplexing task, and while dialoguing
around these two questions, we emerged with more questions
rather than "real" answers.
Although
we are Latina/Chicana Queer Women of Color focused due to
the circumstantial representation of this constituency in
our effort, our original vision involved the inclusion of
Queer Women of Color across different populations--age, ethnic,
gender, generation, nationality, etc. So, we use these pages
not only to share beautiful and powerful talent, but also
as a call to action that urges Queer Women of Color to see
the beauty and power in collaboration.
We increasingly
need to make collaborations a priority as our work to end
racial, ethnic, economic and gender discrimination and its
manifestations becomes more strategic and critical. By including
a fusion of material ranging from drag kings of color and
the complexities of identity politics to international policies
and the perpetual struggle for justice, why not think any
and every issue--political, social, economic, cultural, international,
etc--is a Queer Women of Color issue??? This is what we would
most like our readers to interrogate as well. It is the stance
we take as we send this first issue to print and will continue
to take in the many(!) issues that follow. This idea has been
on the tips of our tongues for two years, and we hope to inspire
you all to get whatever is on the tip of your tongue out there--and
in here, too!
Tongues
Magazine Issue One 2001 Contributors:
sharon bridgforth is the author of the bull-jean stories;
performance stories published by RedBone Press. the bull-jean
stories received the 1998 Lambda Literary Award for best book
by a small press.
Rocio
Carlos-Gonzales, born and raised in South/East Los Angeles,
is a self described pissed off child of immigrants. She writes
about being a woman, Xicana, Queer, in love and not out to
her family. Oh yes, and the pinche border too.
Aurora
Garcia is cute and has found a new passion for Novelas which
portray well-developed and well-rounded characters and include
back-to-back, action-packed drama. She loves her career as
a first grade teacher at her old elementary school, where
she serves as a positive Same-Gender-Loving role model.
Alicia
Gaspar de Alba, an Associate Professor at the Cesar E. Chavez
Center for Interdisciplinary Instruction in Chicana/o Studies
at UCLA, is the author of The Mystery of Survival and Other
Stories, Sor Juanas Second Dream, and Chicano Art Inside/Outside
the Masters House: Cultural Politics and the CARA Exhibition.
Raquel
Gutierrez is the Renaissance Queer womyn of color. She writes,
performs and spins alternative beats from Rancheras to Hip
Hop.
JoAnna
Ley is a 24 year old two-spirited Chicana, committed por vida
to struggle for the self-determination of her people, through
the enigmatic power of palabra y arte. As she obtains her
MFA in Creative Writing at Cal Arts, she hopes to win the
Lotto, or get some grants, to one day establish a Chicana
Empowerment Center for la communidad.
Alma
Lopez is a visual and public artist.
Felicia
Luna Lemus lives in Eagle Rock, Los Angeles. Her writing Appeared
recently in the fall issue of ZYZZYVA. She is currently working
on her first novel.
Vero
Max Madrigal is 26 from small-town, California; where he devirginized
several country girls. He is the manager/agent/promoter of
Backstreet Noize and with his winning smile, boy or girl,
you just can't refuse his irresistible charm. Watch out for
this Latin heart throb!
Xochitl
Marquez is a UCLA graduate and community activist. She is
a delicious super high femme.
Chinwe
Odeluga is an African American filmmaker, poet, Licensed Chemical
Dependency Counselor, lesbian and women's health activist.
Monica
Palacios is a highly anthologized writer, performer and adjunct
professor. She tours the country with her one mujer shows:
Besame Mucho, Greetings From A Queer Senorita and Latin Lezbo
Comic.
Glynnis
Reed is a visual artist and first year MFA at UCI.
Claudia
Rodríguez is a 25 year old writer/activist/jota straight
outta Compton. She is currently a second year student
at the California Institute of the Arts. Shes a recent
recipient of an Emerging Lesbian Writer award from the Astraea
Foundation.
Nadine
Romero is a young butch Chicana artist raised in Echo Park.
She received her BA from California State University, Northridge.
Lizette
Sanchez is a Cal-Rican (Puerto Rican born in California) who
loves good food and a good woman.
Cristina
Serna teaches History and Social Studies in South Gate.
Mirna
Tapia was born and raised in Mexico City. She creates imagery
and writes poetry that is culturally specific yet personal
to her experiences
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